When it first arrived in theatres in 2015, Ajay Devgn-starrer Drishyam was touted as the remake of a Malayalam cult classic. In the decade since, the Hindi franchise has acquired a dedicated fandom of its own. With the third instalment – Drishyam: The Conclusion – it is wading into uncharted territory with an original story that differs from the Malayalam series. Over the years, the film, its elements, and characters have embedded themselves in Indian pop culture, giving fans one of the most resilient underdogs of our time.
Because for millions of viewers who have only watched the Hindi version, Drishyam is all about Vijay Salgaonkar and not George Kutty (Mohanlal’s character in the original), and it makes sense,.
The Malayalam version had been released just months before, and was streaming then. The film was a blockbuster, emphasising its standing as a brand. Drishyam: The Conclusion further strengthens the brand image by completely moving away from the Malayalam franchise. Vijay must cover up a crime his family accidentally committed and protect them from a vengeful police force. Despite the character being grey, he is still everyone’s hero. Director Abhishek Pathak explains, “The audience will always root for Vijay Salgaonkar. Somewhere, it’s not about the crime. That is what works for the audience. He is an underdog, and their stories always resonate. Officially titled Drishyam: The Conclusion, the third part of the franchise brings back Ajay Devgn’s Vijay Salgaonkar, along with Tabu, Shriya Saran, Rajat Kapoor, Ishita Dutta, Mrunal Jadhav, and Kamlesh Sawant. The new entrants in the cast are Jaideep Ahlawat, Prakash Raj and Saurabh Shukla.
When Drishyam 2 was coming out, people were apprehensive about whether it would work. The audience believes that even if what he did wasn’t 100% correct, anyone would have done the same in that situation. The film releases in theatres on October 2, 2026.
Because he is illiterate, drishyam is the story of Ajay Devgn ‘s Vijay Salgaonkar, a cable operator in Goa who nobody takes seriously.
“Nobody would come to watch this,” was what people told the team, actor Tabu recalled at Drishyam 3’s trailer launch. “Yet, it worked,” she added.
Perhaps this is why, even after 11 years and three films, the audience is still not questioning Vijay or his actions, no matter how ‘dark’ they may get. It was a risk to call the film Drishyam. Pokiri became Wanted, Kaavalan became Bodyguard, and Vikramarkudu became Rowdy Rathore. There were two reasons. The originals had regional-language titles, and the remakes sought to differentiate themselves and create a new brand identity. Drishyam did not opt for that. It retained the Sanskrit/Malayalam title for the Hindi version, and still managed to carve out its own identity. That many viewers of the Hindi version remain blissfully unaware that an older Malayalam version exists speaks volumes about the success of this ‘brand’. The character’s underdog appeal has further added to the film’s stature in desi pop culture.
